เห็นคุณผึ้งอยากให้รีวิว Moon 300D ตอนนี้คิดว่าเข้าที่เข้าทางมาพอสมควรแล้ว
หลังจากทำตามคำแนะนำอย่างเคร่งครัด คือถ้าไม่จำเป็นไม่ต้องถอดปลั๊กออก เนื่องจากไม่มีสวิช on -off มีแต่ปุ่ม stand by อย่างเดียว
เห็นคุณผึ้งอยากให้รีวิว Moon 300D ตอนนี้คิดว่าเข้าที่เข้าทางมาพอสมควรแล้ว
หลังจากทำตามคำแนะนำอย่างเคร่งครัด คือถ้าไม่จำเป็นไม่ต้องถอดปลั๊กออก เนื่องจากไม่มีสวิช on -off มีแต่ปุ่ม stand by อย่างเดียว
ชี้เป้าเผื่อคนที่คันหนักๆครับ
ขาย D/A Mark Levinson No.36
D/A Mark Levinson No.36
รายละเอียด
No. 36 has two AES/EBU (XLR balanced), S/PDIF coaxial (RCA and BNC), TOSLINK optical and AT & T ST glass optical.
There are four Burr-Brown PCM 1702 dual-differential 20-bit throughput, eight times oversampling Pacific Microsonics PMD100 HDCD decoder/digital.
Frequency response: 10Hz-20kHz
Signal-to-noise ratio: 105 dB
Weight: 16kg
ราคา 60,000 บาท
สนใจติดต่อ คุณวิทย์ 081-8125973
ชี้เป้าเผื่อคนที่คันหนักๆครับ
ขาย D/A Mark Levinson No.36
D/A Mark Levinson No.36
รายละเอียด
No. 36 has two AES/EBU (XLR balanced), S/PDIF coaxial (RCA and BNC), TOSLINK optical and AT & T ST glass optical.
There are four Burr-Brown PCM 1702 dual-differential 20-bit throughput, eight times oversampling Pacific Microsonics PMD100 HDCD decoder/digital.
Frequency response: 10Hz-20kHz
Signal-to-noise ratio: 105 dB
Weight: 16kg
Susan Wong The new single 'California Dreaming' taken from the forthcoming new studio album "Step Into My Dreams' is now available to download from key digital stores including iTunes and amazon as well as from many local mobile phone companies. Various links to buy the single are provided below
The version of the Mamas & the Papas 60's anthem 'California Dreaming' was recorded in Switzerland with guitarist/arranger Ignacio Lamas under the guidance of producer Adrien Zerbini.
Susan Wong The new single 'California Dreaming' taken from the forthcoming new studio album "Step Into My Dreams' is now available to download from key digital stores including iTunes and amazon as well as from many local mobile phone companies. Various links to buy the single are provided below
The version of the Mamas & the Papas 60's anthem 'California Dreaming' was recorded in Switzerland with guitarist/arranger Ignacio Lamas under the guidance of producer Adrien Zerbini.
Overall, I thought the CONCERTO held its own very well versus its main competitor that I used for comparison’s sake, the Audio GD Phoenix – which is both much more full-featured, and more expensive, but is the only other SS amp I had on hand. I prefer not to compare SS amps just to tube amps, because while they are not as different sounding as some people think, there are differences. So the Phoenix was the main comparison point, although it does cost 60% more than the Concerto. The whole point of the Concerto is that it is a Meier Symphony with less features.
The comparison between them was fascinating, though. I have always thought of the Phoenix as being on the slightly dark and smooth side. And traditionally, I have actually felt the same way about most Meier amps I have heard. The Concerto, on the other hand, was a little lighter and brighter than the Phoenix – but I would still describe the Concerto as being very neutral and smooth. The difference between them was immediately noticeable, though. As such, I slightly preferred the Concerto with the JVC DX1000, but thought the Phoenix was better with the DT880 and HE-5. So this may give some idea about where the Concerto is most at home. It’s essentially neutral, but I would not describe the treble as soft or forgiving – clean, but present. So I wouldn’t get the Concerto for use with headphones that are prone to treble brightness themselves. While this is not a big deal or a defining character, it does represent a bit of a departure from Meier amps in the past, if memory serves me correctly.
The Beyerdynamic T1 was a tougher call. I liked it equally well though both, although the difference between the amps was most apparent with the T1. But the T1 sounded great with both. The 600 ohm T1’s did require the use of the Concerto’s high-gain mode, but it then drove them to very loud levels easily. Undeniably, the T1 used with the Concerto was wicked good, and shows that the Concerto can power the big boys and sound great. I would unhesitatingly recommend the T1 for use with the Concerto. I am enjoying that very combination as I write this.
Overall, I thought the CONCERTO held its own very well versus its main competitor that I used for comparison’s sake, the Audio GD Phoenix – which is both much more full-featured, and more expensive, but is the only other SS amp I had on hand. I prefer not to compare SS amps just to tube amps, because while they are not as different sounding as some people think, there are differences. So the Phoenix was the main comparison point, although it does cost 60% more than the Concerto. The whole point of the Concerto is that it is a Meier Symphony with less features.
The comparison between them was fascinating, though. I have always thought of the Phoenix as being on the slightly dark and smooth side. And traditionally, I have actually felt the same way about most Meier amps I have heard. The Concerto, on the other hand, was a little lighter and brighter than the Phoenix – but I would still describe the Concerto as being very neutral and smooth. The difference between them was immediately noticeable, though. As such, I slightly preferred the Concerto with the JVC DX1000, but thought the Phoenix was better with the DT880 and HE-5. So this may give some idea about where the Concerto is most at home. It’s essentially neutral, but I would not describe the treble as soft or forgiving – clean, but present. So I wouldn’t get the Concerto for use with headphones that are prone to treble brightness themselves. While this is not a big deal or a defining character, it does represent a bit of a departure from Meier amps in the past, if memory serves me correctly.
The Beyerdynamic T1 was a tougher call. I liked it equally well though both, although the difference between the amps was most apparent with the T1. But the T1 sounded great with both. The 600 ohm T1’s did require the use of the Concerto’s high-gain mode, but it then drove them to very loud levels easily. Undeniably, the T1 used with the Concerto was wicked good, and shows that the Concerto can power the big boys and sound great. I would unhesitatingly recommend the T1 for use with the Concerto. I am enjoying that very combination as I write this.
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สงสัยพี่หลุ่งลืมน้องชายคนนี้ไปซะแล้ว Dock to RCA สาย ALO Silver in cotton ที่จองไว้ตอนที่ระเบิดกรุคราวก่อน ตอนนั้นผมยังไม่มี ไอพอด ตอนนี้มีแล้ว ดันไม่เห็นกระทู้ อดได้เลยอ่ะก๊าบ
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